|
One of the revolutionaries of
the arts still alive, Rauschenberg exploded the boundaries
between painting and sculpture.
In the 50’s his “Combines”
cemented his place in art history consisting of an innovative
and rich combination of paint and all kinds of non traditional
materials, often found on his own rubbish dump (Coca-Cola
bottles, pinups, rubber tyres and stuffed animals).
His enthusiasm
for popular culture and interest in the artistic representation
of everyday objects and people, led him to use magazine
photographs of current events and familiar images such as JFK.
This new
method turned Rauschenberg into a feature painter on
contemporary society and is often seen as enabling
transition from Abstract Expressionism to Pop Art.
The idea of combining objects and images is Rauschenberg's core work, still on development in Captiva, Florida, where he lives.
|
|
|

|
|
Retroactive I |
|
|

|
|
Wild Strawberry Eclipse, 1988 |
|
|

|
|
Bicycle, National Gallery |
|
|

|
|
8th Van Cliburn Internati... |
|
|

|
|
Houston Grand Opera |
|
|

|
|
Favor Rites, 1988 |
|
|

|
|
Boston Symphony, 1981 |
|
|

|
|
Untitled |
|
|

|
|
Texas Festival, 1991 |
|
|

|
|
At Leo Castelli's, 1980 |
|
|

|
|
Quote, 1964 |
|
|

|
|
Sphynx Atelier |
|
|

|
|
WOZA Africa |
|
|

|
|
ROCI China, Bank of China |
|
|

|
|
Dayton's Gallery |
|
|

|
|
First International Festi... |
|
|

|
|
Phoenix, Arizona |
|
|

|
|
Gluts |
|
|

|
|
Art for Nuclear Disarmeme... |
|
|

|
|
Stop, 1963 |
|
|
|
|